Lana Bode makes her English Music Festival debut with Nicola Hands (oboe) and Amy Thompson (bassoon) of the Tailleferre Ensemble. The programme includes music of Samuel Coleridge-Taylor, Madeleine Dring, Ralph Vaughan Williams, Malcolm Arnold and others, and features the world premiere of a new arrangement of Cecilia McDowall's Cavatina, written especially for this concert.

Featuring works by composer-in-residence & violist, Jessica Meyer, and will spotlight music for winds and voice by Brahms, Schubert, Casella, and more.

A programme of music highlighting the beauty of Autumn & Winter with the works of Vivaldi and Joan Tower.

Lana joins longtime collaborator baritone Thomas Coltman and string quartet for “The Human Voice: A Celebration in Song.” The evening unfolds with a diverse selection of works by renowned composers. From the introspective beauty of Strauss's "Morgen" to the evocative longing of Vaughan-Williams' "Songs of Travel," each piece unveils a unique voice and perspective that highlight the range and scope of vocal chamber music.

Join songstress Lauren Easton and pianist Lana Bode for an evening of live music, light cabaret, and lessons learnt on life, love and trying to look like you know what you're doing.

Join songstress Lauren Easton and pianist Lana Bode for an evening of live music, light cabaret, and lessons learnt on life, love and trying to look like you know what you're doing.

Join songstress Lauren Easton and pianist Lana Bode for an evening of live music, light cabaret, and lessons learnt on life, love and trying to look like you know what you're doing.

Lana Bode takes her place at the keys for a contemporary song masterclass led by Lucy Schaufer, a mezzo-soprano who was shortlisted in the Singer category of the 2023 Royal Philharmonic Society Awards.

Alistair McGowan, Charlotte Page and Lana Bode round off the Stratford Literary Festival with a celebration in words and music of the brilliant Noel Coward on 125th anniversary of his birth, with a delightful feast of his plays and writing, and the content of letters to him from some of the most famous actors of the last 100 years.

Lana Bode joins acclaimed pianist Michael Pandya in a performance of Brahms Requiem in the composer’s piano-four hands arrangement with the King’s Lynn Festival Chorus under the direction of Ben Horden, with soloists Felix Kemp (baritone) and Bethany Horak-Hallett (mezzo-soprano).

Lana Bode joins soprano Anna Cavaliero for a fascinating mix of British and American music featuring some unjustly neglected songs by women composers alongside Britten and Barber.

Between a majestic sunrise and a blinding starburst, Her Ensemble opens CrossCurrents 2024 with a star-encrusted concert of music by women, performed by female and non-binary musicians. Errollyn Wallen’s Concerto Grosso places a spotlight on the extraordinary talent within the ensemble with dazzling step-out solos.

Lana Bode joins the Tailleferre Ensemble for a world record-breaking playathon hosted by Donne: Women in Music. Their programme includes music by Madeleine Dring and Adrienne Albert.

Thomas Elwin and Lana Bode join Donne: Women in Music for a world record-breaking playathon. Their programme of French songs from their upcoming album Le Vase Brise features works by Augusta Holmes, Pauline Viardot, Lili Boulanger and Clemence de Grandval.

Lucy Schaufer and Lana Bode return to St Andrews with a programme including world premieres by Stuart Macrae and Thomas Hyde, a European premiere by Herschel Garfein, and a Scottish premiere by Lisa Robertson.

The Tailleferre Ensemble will present a lunchtime concert celebrating their album release earlier this year. The programme will feature two works from the album, by Tailleferre and Röntgen, as well as music by Rhian Samuel, Dana Joras and Errollyn Wallen.

“Waiting for Gertrud or the Meeting of the 100 Child Prodigies” deals with the content and discourse of the song creations of 100 female composers from the 19th, 20th and 21st centuries. The negation of the artistic abilities of female composers has a long tradition and continues to have an impact today. Together with an actress, a pianist, four singers, a girls' choir and a brass ensemble, we examine the song's political, aesthetic and social explosiveness.

“Waiting for Gertrud or the Meeting of the 100 Child Prodigies” deals with the content and discourse of the song creations of 100 female composers from the 19th, 20th and 21st centuries. The negation of the artistic abilities of female composers has a long tradition and continues to have an impact today. Together with an actress, a pianist, four singers, a girls' choir and a brass ensemble, we examine the song's political, aesthetic and social explosiveness.

“Waiting for Gertrud or the Meeting of the 100 Child Prodigies” deals with the content and discourse of the song creations of 100 female composers from the 19th, 20th and 21st centuries. The negation of the artistic abilities of female composers has a long tradition and continues to have an impact today. Together with an actress, a pianist, four singers, a girls' choir and a brass ensemble, we examine the song's political, aesthetic and social explosiveness.

“Waiting for Gertrud or the Meeting of the 100 Child Prodigies” deals with the content and discourse of the song creations of 100 female composers from the 19th, 20th and 21st centuries. The negation of the artistic abilities of female composers has a long tradition and continues to have an impact today. Together with an actress, a pianist, four singers, a girls' choir and a brass ensemble, we examine the song's political, aesthetic and social explosiveness.

Kay hasn’t left her apartment for a year. She sees her shrink on Skype, does the cardio carioca workout virtually, and orders everything online. Yet she was once a dynamic immigration lawyer. What happened? Is it agoraphobia? Or something else? This all-sung, one-woman comedy reveals why Kay’s shut herself in… and what it’ll take to get her out. American composer Scott Eyerly, whose recent works have been performed by Jennifer Larmore and Leonard Slatkin, brings his newest piece to the Fringe, starring English soprano Sarah Minns and pianist Lana Bode.

Kay hasn’t left her apartment for a year. She sees her shrink on Skype, does the cardio carioca workout virtually, and orders everything online. Yet she was once a dynamic immigration lawyer. What happened? Is it agoraphobia? Or something else? This all-sung, one-woman comedy reveals why Kay’s shut herself in… and what it’ll take to get her out. American composer Scott Eyerly, whose recent works have been performed by Jennifer Larmore and Leonard Slatkin, brings his newest piece to the Fringe, starring English soprano Sarah Minns and pianist Lana Bode.

Kay hasn’t left her apartment for a year. She sees her shrink on Skype, does the cardio carioca workout virtually, and orders everything online. Yet she was once a dynamic immigration lawyer. What happened? Is it agoraphobia? Or something else? This all-sung, one-woman comedy reveals why Kay’s shut herself in… and what it’ll take to get her out. American composer Scott Eyerly, whose recent works have been performed by Jennifer Larmore and Leonard Slatkin, brings his newest piece to the Fringe, starring English soprano Sarah Minns and pianist Lana Bode.

Kay hasn’t left her apartment for a year. She sees her shrink on Skype, does the cardio carioca workout virtually, and orders everything online. Yet she was once a dynamic immigration lawyer. What happened? Is it agoraphobia? Or something else? This all-sung, one-woman comedy reveals why Kay’s shut herself in… and what it’ll take to get her out. American composer Scott Eyerly, whose recent works have been performed by Jennifer Larmore and Leonard Slatkin, brings his newest piece to the Fringe, starring English soprano Sarah Minns and pianist Lana Bode.

Kay hasn’t left her apartment for a year. She sees her shrink on Skype, does the cardio carioca workout virtually, and orders everything online. Yet she was once a dynamic immigration lawyer. What happened? Is it agoraphobia? Or something else? This all-sung, one-woman comedy reveals why Kay’s shut herself in… and what it’ll take to get her out. American composer Scott Eyerly, whose recent works have been performed by Jennifer Larmore and Leonard Slatkin, brings his newest piece to the Fringe, starring English soprano Sarah Minns and pianist Lana Bode.

Kay hasn’t left her apartment for a year. She sees her shrink on Skype, does the cardio carioca workout virtually, and orders everything online. Yet she was once a dynamic immigration lawyer. What happened? Is it agoraphobia? Or something else? This all-sung, one-woman comedy reveals why Kay’s shut herself in… and what it’ll take to get her out. American composer Scott Eyerly, whose recent works have been performed by Jennifer Larmore and Leonard Slatkin, brings his newest piece to the Fringe, starring English soprano Sarah Minns and pianist Lana Bode.

Kay hasn’t left her apartment for a year. She sees her shrink on Skype, does the cardio carioca workout virtually, and orders everything online. Yet she was once a dynamic immigration lawyer. What happened? Is it agoraphobia? Or something else? This all-sung, one-woman comedy reveals why Kay’s shut herself in… and what it’ll take to get her out. American composer Scott Eyerly, whose recent works have been performed by Jennifer Larmore and Leonard Slatkin, brings his newest piece to the Fringe, starring English soprano Sarah Minns and pianist Lana Bode.

Kay hasn’t left her apartment for a year. She sees her shrink on Skype, does the cardio carioca workout virtually, and orders everything online. Yet she was once a dynamic immigration lawyer. What happened? Is it agoraphobia? Or something else? This all-sung, one-woman comedy reveals why Kay’s shut herself in… and what it’ll take to get her out. American composer Scott Eyerly, whose recent works have been performed by Jennifer Larmore and Leonard Slatkin, brings his newest piece to the Fringe, starring English soprano Sarah Minns and pianist Lana Bode.

Kay hasn’t left her apartment for a year. She sees her shrink on Skype, does the cardio carioca workout virtually, and orders everything online. Yet she was once a dynamic immigration lawyer. What happened? Is it agoraphobia? Or something else? This all-sung, one-woman comedy reveals why Kay’s shut herself in… and what it’ll take to get her out. American composer Scott Eyerly, whose recent works have been performed by Jennifer Larmore and Leonard Slatkin, brings his newest piece to the Fringe, starring English soprano Sarah Minns and pianist Lana Bode.

Kay hasn’t left her apartment for a year. She sees her shrink on Skype, does the cardio carioca workout virtually, and orders everything online. Yet she was once a dynamic immigration lawyer. What happened? Is it agoraphobia? Or something else? This all-sung, one-woman comedy reveals why Kay’s shut herself in… and what it’ll take to get her out. American composer Scott Eyerly, whose recent works have been performed by Jennifer Larmore and Leonard Slatkin, brings his newest piece to the Fringe, starring English soprano Sarah Minns and pianist Lana Bode.